
Saint George and the Dragon: fifteen paintings, seventeen hundred years
From a Roman soldier's tomb to the Pre-Raphaelites, the story of the most painted fight in Western art, told through fifteen masterworks you can hang at home.
Painted portrait styles, explained — Renaissance vs. Baroque, when oil reads better than watercolor, and the questions to ask before commissioning.

From a Roman soldier's tomb to the Pre-Raphaelites, the story of the most painted fight in Western art, told through fifteen masterworks you can hang at home.

From an arresting gaze to a sweeping allegory, four works reveal how much a body, a gesture and a little light can say.

A ruined shore, a listening painter, sea creatures and a solitary musician. Four moods from Böcklin’s imaginative world.

Unicorns, heroes and radiant encounters. Four richly imagined worlds from the Fable collection, made for looking closely.

A dragon, a fallen king, a midnight creature and a luminous rescue. Enter Blake’s imagination through four extraordinary images.

Riviera blues, poppy fields and winter lilac. Five ways into Claude Monet’s world, with a whole artwork to explore at every stop.

A white dress, yellow ribbons and the sea behind a striped awning: a close reading of James Tissot's Seaside (July: Specimen of a Portrait).
From Renoir’s Madame Charpentier to Sargent’s Miss Beatrice Townsend, twelve real masterworks, each the original behind a Fable portrait style you can send your photo to.

A mother-and-child river scene in luminous impressionist oil, composed from a single photo of you.